| Something big is coming. An album that  combines practically everything human feelings have to offer in a collection of  music. Heights, depths, nuance, sudden outbursts, painful loss – Caroline  Chevin sings about all this on "Hey World", her third solo album. The  13 songs that Chevin, together with lyricist Sékou Neblett (Freundeskreis, Joy  Denalane) and producer Philipp Schweidler (Seven, Marc Sway, etc.), has written  and refined within the last year have unwittingly become a basis for discussion  that covers everything: responsibility, relationships and their ramifications  and endings – even if, or in fact because Chevin herself says that she had  never consciously wanted to create a panopticon of such emotions or an album  that truly embraces the Zeitgeist. These are songs in which everyone can find  themselves – as good pop songs have a habit of doing.    But let us flash back a little. Back to  a small tune that was so great it went around the world, "Back In The  Days" was the name of the song that was literally carried around the globe  by the voice of Caroline Chevin. The single remained in the Swiss airplay  charts for around 80 weeks. What’s more, the cheerful soul pop song managed to  make its way into the Swiss in-flight programme, into the branches of H&M  and Abercrombie Fitch and – more importantly – into the ears and hearts of  thousands of people. In March 2011, Caroline Chevin was presented with the  Swiss Music Award in the "Best National Breaking Act" category.    Yet the 38-year old, who grew up in  Weggis near Lucerne and has now been living in the Zurich area for almost six  years, looks back on a much longer musical career. Over the past twenty years,  she has already stood on many a stage and tried her hand in all different  styles of music. "There are no limits. You can and should try  everything," she says of her long, intense experimental phase.    Just over four years ago, her unique  voice slowly began to emerge. The album "Feel Real" (Phonag, 2008)  was the inspiration for her solo career. "Back In The Days" (Nation  Music, 2010) marked another step on the singer songwriter’s path to maturity.  Now, with "Hey World", her first album with Sony Music Switzerland,  we meet a new, more serious, more profound Caroline Chevin. Right from the  title track, she holds up the world – and herself – to the mirror, criticizing  selfishness and lack of responsibility.  All packaged in one beautiful pop song  with mighty piano chords and weightless progressions. "The album title  stands on the one hand for the joy with which I present my new work,"  explains Chevin. "On the other hand, it refers to the content of the song.  That one should not focus only on the negative and should go through life more  alert and conscious."    The rest of the album  also maintains the adult, experienced tone the title song strikes: Beautiful  and sparkling, attractive and melodic, but also serious, and sometimes very  sad. Some songs say farewell to her late father, others speak of the struggle  to find balance in a relationship, or of gruelling stages of uncertainty, ask  just where home might be right now and with whom it will be connected in the  future ("Home"). Most of the songs pass through a development. For  example, a song that first sounds melancholy, or rather quiet, suddenly  develops into a powerful anthem about suddenly being flooded by a feeling of  power and confidence ("Now"). But the fleeting  ("Tiptoes")and the entirely blissful moments ("Your Love Your  Love") also find their place. "They are all stories written by life.  Stories my life has written in the last few months," says Chevin.  "It's about ups and downs and what you make of them".    Ultimately,  these masterfully crafted, constantly transforming songs with a basic blues character  are nothing but solid statements for the tests successfully passed and the continuous  challenges life poses. "Hey World" has not only become a top quality pop  album, it also shows a Caroline Chevin, who, vocally, puts everything into the  songs. Precisely because what she is presenting to us here are her own stories.  |